Tuesday, November 19, 2013
OBM Digital Identity Compilation
OBM Digital Identity Compilation from JR Gualtieri on Vimeo.
Orange Barrel Media needed a consistent series of identifiers for the launch of their new digital display in Boston. We settled on a number of stylistic elements to unite the separate spots into a recognizable brand making its debut in Boston's outdoor advertising industry.
Saturday, June 15, 2013
Queen:City from JR Gualtieri on Vimeo.
A video art piece commissioned by Orange Barrel Media for their unique LED display in uptown Charlotte, NC. The video explores a visual history of the city from its inception to its current landscape, using imagery from past and present symbols of the city in a fast forward through time, exploring its particular setting among the cities of America.
A video art piece commissioned by Orange Barrel Media for their unique LED display in uptown Charlotte, NC. The video explores a visual history of the city from its inception to its current landscape, using imagery from past and present symbols of the city in a fast forward through time, exploring its particular setting among the cities of America.
Monday, June 10, 2013
Sunday, November 27, 2011
JR: Hero or Legend?
In a flurry to get as much online as possible before I graduate, I ran across this gem from 2007, a poorly edited video bio assignment, that provided a unique counterpart to my classmates' collages of boyfriends, pets and action shots.
Saturday, November 12, 2011
LeBoom!
Put it on repeat for a few hours and this sums up my ongoing VJ residency at LeBoom!, a monthly bass music event hosted by My Best Friend's Party
Brother Ali Promos
A couple of older web promo videos for On The Floor Productions in conjunction with Rhymesayers Records
Tuesday, November 1, 2011
Thursday, October 6, 2011
Unadhaesit in Tempus
A collaborative work intended to demonstrate a type of four dimensional perception. The movement of bodies is stacked in time to allow past, present and future moments to exist simultaneously, creating novel shapes which are present in all movement, but lay outside of our ability to observe. Inspired in part by Slaughterhouse Five by Kurt Vonnegut, Pas de Deux by Norman McClaren and The Unreality of Time by J.M.E. McTaggart. Also - a love story.
Music:
Anthony Vine
soundcloud.com/anthony-vine
Performers:
Eric Falck
Kristina Isabelle
Gabby Stefura
kristinaisabelledance.com
Thanks to:
Janet Parrott and
The Ohio State University Dept. of Theatre
theatre.osu.edu
Sunday, July 3, 2011
Poetry + Animation
A short tribute to Oskar Fischinger, part of the production of The Camouflage Project, an original play created by the Ohio State University Department of Theatre and ACCAD in Spring 2011. This animation accompanies a tap dance routine that illustrates the importance of rhythm in sending morse code messages in the play's examination of espionage in WWII.
Thursday, April 8, 2010
Disinterest_II
A video filter system intended to challenge patterns of perception in both space and time.
Saturday, April 3, 2010
Reality Tunnel I
Corrugated plastic, bolts and projection. An ongoing project creating ambient media out of disparate source material.
00120120120120120120120120120: A Study in the Space/Time of Film
A re-imaging of a classic film, constructed by using pixel color information as texture to "project" onto cubes in three dimensions.
Art in the Age of Digital Distribution II
A reworking of the original piece, this time projected on panels hung in eight windows on two floors of a building in Downtown Columbus, Ohio as part of the Art Squatters Exhibition curated by Malcolm Cochran of the Ohio State University.
Wednesday, March 31, 2010
Art in the Age of Digital Distribution I
A video projection installation created in spring of 2009 as coursework for Joshua Penrose's Art 551: New Media class at Ohio State University.
The piece reimages a popular movie and distributes it across a grid of panels hung on chain-link fence. Each panel has a temporal relationship to its neighbor, a relationship which is decided and executed in semi-random intervals. It imagines patterns of information dissemination and questions the presence of aura in the mass produced artwork.
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